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本文主要考察1978年以来北京人艺研究的演进轨迹和阶段特征。新时期以来的30年,是北京人艺在艺术探索、学派建设等方面有所作为、有所创造、有所变化的30年,也是中国话剧从封闭走向开放,从单一走向多元转型最为明显的30年。本文将新时期以来北京人艺的研究分为三个时期:1978-1989年的起步期;1990-1999年的深化期;2000-2008年的徘徊期。在对各个时期研究格局及其形成原因、研究现状分析的基础上,总结北京人艺研究的得失以及给中国话剧研究带来的启示。
This paper mainly examines the evolution and stage characteristics of the studies of Beijing art since 1978. In the 30 years since the new period, BeiJing Art has made a difference in artistic exploration, school construction and other aspects. What has been created and changed for the past 30 years is also the most obvious manifestation of Chinese drama from being closed to opening up and from single to multi-transformation 30 years. This article divides the study of Peking art into three periods since the new period: the initial period of 1978-1989; the deepening period of 1990-1999; and the wandering period of 2000-2008. Based on the analysis of the pattern of the various periods and its causes and the current situation of the research, this paper summarizes the gains and losses and the enlightenment brought to the study of Chinese drama by the art of Beijing Art.