琵琶轮子的手形结构不仅是指轮子的外形如何自然、稳固、漂亮与舒服,而是涉及到整个轮子的用力方式、方法与音量;触弦的角度与音色等一系列内在的技术性因素。内在的东西总是通过一定的外形表现出来。从较大的方面来讲是内容和形式的关系,从较小的方面讲就是表里辨证统一的关系。因此,反过来我们可以通过演奏者作轮的外在手形结构,看出它用力的方式、方法是否正确;能否达到一定的音量;音色是否漂亮等,对于演奏来说是基本的,置关重要的 The hand-shaped structure of the Pipa wheel not only refers to the natural, steady, beautiful and comfortable appearance of the wheel, but involves a series of inherent technical factors such as the way, method and volume of the whole wheel, the angle of the string and the timbre. The inner things are always represented by a certain shape. From a larger perspective is the relationship between content and form, from a smaller perspective is the dialectical unity of the internal and external relations. Therefore, on the other hand, we can use the outer hand structure of the player as a wheel to see whether it is forceful, whether the method is correct, whether a certain volume can be achieved, whether the tone is beautiful, etc., which is basic to playing important