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中国的戏曲流派,无论是京剧的梅、尚、程、荀,马、潭、奚、杨等;还是豫剧的常(香玉)、陈(素真)、崔(兰田)、马(金凤)、阎(立品)等,都是解放前形成的,新中国建立四十余年,尽管我国社会主义戏曲事业百花齐放、推陈出新、剧目繁多、人才辈出,有了前所未有的重大发展,然而在流派问题上,却只听有“流派传人”的说法,而没听说有新的流派出现,这是个非常奇怪的现象。前些年我就和朋友交换过意见,认为解放后并非没有新的戏曲流派产生,为什
Chinese opera genre, whether it is Beijing Opera plum, Shang, Cheng, Xun, Ma, Tam, Xi, Yang, etc .; or opera often (incense jade), Chen Feng, Yan and others were all formed before the liberation. Although the founding of new China was over 40 years ago, despite the flourishing and flourishing socialism operas in our country, there have been many innovations, numerous repertoires, and a large number of talented people. With unprecedented development, On the genre issues, it is a very strange phenomenon to hear the saying of “genre descendants,” without hearing of the emergence of new genres. A few years ago, I exchanged opinions with my friends and thought that after the liberation, there was no new genre of schools for drama to emerge.