作为拥有二三百年历史的地方小戏二人台,它形成于民间,流传于民间,贴近老百姓,是内蒙古自治区的主要艺术剧种。二人台的兴起和发展与清朝中叶以来内地贫苦老百姓“走西口”有着密不可分的关系,改革开放后,政府文化主管部门对文化艺术大力扶持。由于内蒙古地区独特的地理位置、旧时放牧的生活方式与掺杂着蒙语音调的方言,使内蒙古地区的二人台成为一颗闪亮的明星。二人台是蒙汉民族音乐交融的奇迹,是民族团结的历史丰碑,对二人台的学习与研究有着非常重要的历史意义和现实意义。然而在当今的商品经济发展大潮中,传统的民间文化受到了极大的冲击,二人台也不例外。许多年老的二人台优秀演员被迫改行另谋生路,年轻一代又少有人学,以致青黄不接,后续无人。在“外患”和“内忧”的夹攻下,二人台目前处于很艰难的时期。因此,如何使老艺术在新时期得到新发展的问题就不可避免地摆在我们眼前。本文着重从巴彦淖尔市二人台艺术的保护、发展作一些思考。 As a two-hundred-year-old local drama duo, it is formed in the folk, spread in the folk, close to the people, is the main art genre in the Inner Mongolia Autonomous Region. The rise and development of the duo station has been inextricably linked with the poor people in the hinterland since the mid-Qing Dynasty. After the reform and opening up, the government department in charge of culture strongly supported the culture and the arts. Due to the unique geographical location of Inner Mongolia, old grazing lifestyles and dialects with Mongolian tones, Inner Mongolia has become a shining star in Taiwan. The duo Taiwan is a miracle of blending Mongolian and Chinese national music and a historical monument of national unity. It has very important historical and practical significance for the study and study of the duo station. However, in today’s tide of commodity economy, the traditional folk culture has been greatly affected, two stations are no exception. Many elders of Taiwan’s top performers are forced to change their career paths and their younger generation learn less. Under the attack of “foreign plague ” and “internal worries ”, duo station is in a very difficult period. Therefore, the question of how to make the old art get new development in the new period inevitably comes before us. This article focuses on the protection and development of the du Man Tai Art in Bayannur City.