《死水》作为闻一多的代表作和中国现代诗史上的名篇,是有口皆碑的。按照徐志摩的见解:闻一多有三首诗可以传世,第一首便是《死水》。后来的研究者甚至认为,这首诗“象征了新诗的成熟,是新文学的一个里程碑。”影响所及,品鉴解读者多所例举;然而,它的艺术意蕴,依然开掘不尽。其中,艺术的张力,便是值得深化的潜隐魅力之一。 近年来,艺术批评中的张力说,似乎已不太陌生,却因人因文,常常形成一种具有很大弹性而难于捉摸的论点。这自然与多层的借用不无关系。如所周知,张力本来是一种物理现象。所以,一 As the masterpiece of Wen Yiduo and famous articles in the history of modern Chinese poetry, “stagnant water” is well known. According to Xu Zhimo’s opinion: Wen Yiduo has three poems handed down, the first is “stagnant water.” Later researchers even thought that this poem “symbolizes the maturity of the new poem and is a milestone in the new literature.” Many influential and quoted interpreters have given examples; however, its artistic connotation is still endlessly explored. Among them, the tension of art is one of the hidden charms worthy of deepening. In recent years, the tension in the art criticism has said that it seems no longer unfamiliar to the public, but because of the human nature it often forms a highly flexible and elusive argument. This is naturally related to multi-level borrowing. As we all know, tension has always been a physical phenomenon. So, one