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蔡寅坤的花鸟画,司雄放一路。大笔,浓墨,重彩,满构图,大气势,纵横恣肆,酣畅淋漓,可为真正的大写意。具体说来:一是雄放的气势。寅坤画以气盛,有气才有势,气发于内而势形于外,所以他的画远远看去便觉气势夺人,被它吸引和激动。如东坡之赞吴生画:“道子实雄放,浩如海波翻,当其下手风雨快、笔所未到气已吞。”盖其气皆出于真性情,故能夺天地造化而形诸笔墨间。
Tsai Yin-kun’s flowers and birds painting, Secretary Xiong put all the way. Large, thick ink, heavy color, full composition, the atmosphere, vertical and horizontal unbridled, hearty, can be a real sense of the larger. Specifically: First, magnificent momentum. Yin-kun painting to Sheng, there is gas has potential, Qifa in and out of shape, so his paintings from afar, it feels momentum wins, by its attraction and excitement. Such as the praise of Dongsheng Ngau painting: “Daozi real male put, Hao Ruo Haibo turn, when its quick hand, pen has not been gas has swallowed.” "Cover their gas are out of true temperament, it can seize Good luck between the world.