我现在和戏曲工作隔了行,但我始终是一个热心的戏曲观众,关心戏曲的发展与改革。“推陈出新”这个方针,提出来比较早,一九五六年又有了“双百”方针,还有“古为今用”、“洋为中用”等等,经过了三十年,很需要认真地总结一下在执行这些方针、政策方面的经验和教训。要做好今后的戏改工作,不认真地总结经验教训是不行的。三十年来,戏曲艺术的发展、繁荣或者受到挫折,是与经济形势、政治生活密切相关的。建国初期,我们很快地恢复了国民经济,进行了土地改革、合作化和对资本主义工商业的社会主义改造,生产稳步上升,人民生活安定,城乡一片繁荣景象。那时的戏曲舞台,繁花似锦,历史戏、现代 I am now separated from the opera work, but I am always an enthusiastic audience for the opera, concerned about the development and reform of the opera. The principle of “putting forth new ideas” was put forward earlier, with the principle of “double hundred” in 1956, and the policy of “using the ancient as the present” and “using the foreign as the middle”. After thirty years, it is necessary to seriously Summarize the experiences and lessons learned in implementing these guidelines and policies. To do a good job in the future dramatization, it is impossible not to sum up experiences and lessons well. In the past 30 years, the development, prosperity or setback of the art of opera has been closely linked with the economic situation and political life. In the early days after the founding of New China, we quickly resumed the national economy and carried out land reform, cooperation and socialist transformation of capitalist industry and commerce. The production rose steadily, the people’s lives were stable, and the prosperity of urban and rural areas was evident. Drama stage at that time, flowers, historical drama, modern