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当前民族民间舞蹈艺术的改编、创作、评价都或多或少地沾染了消费化的倾向。创作起点从本民族的内在需求转移到游客的外在需求、作品的文化表征从传达祈愿转向商业刺激、流行元素的大量加入使民族民间舞蹈陷入了现代“符号”搅扰中。民族民间舞蹈在旅游开发中存在文化误读,因此要充分考虑民族和区域特点、深度把握受众的欣赏心理、更多反映原始生态,才能保持这门艺术的持续健康发展。
At present, the adaptation, creation and evaluation of folk dance art are more or less contaminated with the tendency of consumption. The creative starting point shifted from the intrinsic demand of the nation to the external demand of tourists. The cultural representation of the works shifted from prayers to commercial stimuli. The mass addition of popular elements plunged folk dance into modern “symbolic” disturbances. National folk dance has cultural misunderstandings in the development of tourism. Therefore, it is necessary to fully consider the national and regional characteristics, grasp the appreciative psychology of the audience deeply, and reflect the original ecology more so as to maintain the sustainable and healthy development of this art.