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从事油画教学的人,大都感到一种苦闷,苦闷的由来是近年与世界艺术交流反馈回的信息,其主要的一种说法是,中国油画的语言不纯。对于搞油画教学的人来说,这种苦闷就变成双重的了。其一、他要思考如何自我纯化语言;其二,又如何将较纯粹的油画语言教给学生。中国画的教学,以范画临摹入手,油画的教学则以画室写生为主体;当然,比较而言,油画显示出较直观的对自然客观的再现,但对自然直接摹仿的训练方法,是否能迅速获得较满意的结果呢?
Most people engaged in oil painting teaching feel a source of depressing and depressing information which is fed back by artistic exchanges with the world in recent years. The main argument is that the language of Chinese oil painting is impure. For those who engage in teaching oil painting, this depression becomes double. First, he wants to think about how to self-purify the language. Second, how to teach students more purely oil-painting languages. Of course, in comparison, the oil painting shows a more objective and objective representation of nature, but whether or not the method of direct imitation of nature can be quickly realized Get more satisfactory results?