在20世纪20年代以后逐步发展的左翼美术运动,尤其是新兴木刻运动中,对于农村题材和农民形象的描绘成为不少木刻艺术家自觉选择的领域。他们出自于对中国农村现实的认识、对农民处境的同情以及在左翼文艺思想的熏陶下产生的真正属于艺术创作的冲动与思考,因而在思想上和艺术上都表现出比较成熟的特性,许多达到了很高的艺术水平。另外,当 In the progressive development of the left-wing art movement after the 1920s, especially in the emerging woodcut movement, the portrayal of rural themes and peasant images has become a field many woodcut artists consciously choose. They come from the understanding of the reality of China’s rural areas, the sympathy of the peasants, and the impulse and reflection of truly belonging to the artistic creation produced under the influence of the left-wing literary thoughts. Therefore, many of them show more mature features both in thought and in art Reached a high artistic level. In addition, when