一、引言自20世纪70年代以来,随着人类生存环境的不断恶化,生态学的人文转向日渐清晰,并且这股思潮已成为文学研究领域的显学。鲁枢元(2004)将其划分为自然生态、社会生态和精神生态。自然生态体现为人与物之间的关系,社会生态体现为人与人的关系,精神生态则体现为人与其自身的关系。因此,如何处理这三种关系已成为文学创作和文学批评所关注的焦点。然而,目前国内对生态文学的研究多集中于文学作品中,弱于从影视作品这样更为直观的视觉展示进 I. INTRODUCTION Since the 70s of the 20th century, with the deteriorating human living environment, the humanistic turn of ecology has become clearer and clearer, and this trend of thinking has become a significant study in the field of literary studies. Lu Shuyuan (2004) will be divided into natural ecology, social ecology and spiritual ecology. The natural ecology embodies the relationship between people and things, the social ecology embodies the relationship between people, and the spiritual ecology embodies the relationship between people and themselves. Therefore, how to handle these three relations has become the focus of literary creation and literary criticism. However, the current domestic research on ecological literature is mostly concentrated in literary works, but weaker than the more intuitive visual display from the film and television works