艺术直觉的可贵,被看做是理论上不屑一顾的简单常识。可是,当我做导演十个年头的今天,却常常想起它,想说点什么。写下题目以后,又一个月还理不出个头绪来,事情是如此矛盾,戏谑地学一下丹麦王子:“生还是死,真是个问题!”那么,崇尚理性剖析,还是感性直觉,也“真是个问题”。在今天我们的很多作品中,剧本符合编剧法,导、表演符合“方法论”,起承转合,过程、高潮、激情……应有尽有,挑不出任何毛病,可就是缺点灵气,少点魅力,为什么?怎么改变?——我不想做理论上的阐述,只是从零星感想,有感而发。 Artistic intuition valuable, is seen as a simple common sense in theory dismissive. However, when I was a director ten years ago, I often think of it, want to say something. After writing the title, another month still clumsy, things are so contradictory, jokingly learn about the Danish prince: “life or death, is really a problem!” So, advocating rational analysis, or sensory intuition, but also “really A question. ” In many of our works today, the script is in line with screenwriting, guiding and acting in line with the “methodology”, playing the transcoding, process, orgasm, passion ... everything, can not pick any problems, but the lack of aura, less attractive, and why? Change? - I do not want to elaborate in theory, only from the feeling of sporadic feeling.