索菲亚·科波拉作为导演迄今为止一共有三部电影作品,也许和她系出名门有关,每一部都是未映先红。我们对她的女性电影三部曲的解读一直集中在她细腻的叙事视角上,再或者把其看作其科波拉家族宏大叙事的叛逃者。其实,自我的突围才是她电影作品的核心所在,她作品的真实内涵就在于用一系列影像展示了女性自我突围的、破壳而出的过程,这是一种“碰撞”式的、过渡式的历程,无论是对观众还是对她自己。 Sophia Coppola as director has so far a total of three films, perhaps linked to her famous department, each one is not reflected in the first red. Our interpretation of her female film trilogy has been focused on her delicate narrative perspective, or as a defector of its grand narratives of the Coppola family. Actually, the breakthrough of self is the core of her film works. The true connotation of her works lies in using a series of images to show the process of female self-breakout and breaking out of shell. This is a “collision” type , The transitional course, whether it is for the audience or for herself.