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凌叔华的身份多重,将其归于京派作家群中,她自身的创作特点难于突出,放在闺阁派名下,其古典风貌特色在说明她的创作追求方面又显得语焉不详。但毋庸置疑的一点,就是她从登上文坛开始就一以贯之的平和温婉的才情,展现了新旧文化断层时期富有历史感和性别特色的时代现象。她的作品折射出她被困锁在家庭、事业、感情“围城”中心脆弱迷茫,在面对复杂社会现实时的心灵困惑,及在传统与现代对接过程中表现出来的心理矛盾,这种传统文人的柔弱心理也折射出中国知识分子艰难摸索追求新生的精神历程。
Ling Shuhua’s multiple identities are attributed to the writers in Beijing School. Her own creative features are hard to stand out in the boudoir genre. Her classical style and features are not well described in her pursuit of creation. However, it goes without saying that she has always demonstrated her time-honored sense of history and gender in both the old and the new cultural faults by her consistent gentleness and gentleness since her entry into the literary world. Her works reflect her trapped locks in the family, career, feelings “siege ” center fragile and confused, in the face of complex social reality spiritual confusion, and in the traditional and modern docking process shown psychological contradictions, which The weak psychology of traditional literati also reflects the spiritual journey of Chinese intellectuals who have difficulty in exploring the new life.