凸凹不平的土路,点缀着坑坑洼洼的水塘,土路的尽头,是一堵灰白的门墙。土路的正对面,黄龙饭店鹤立鸡群,富丽堂皇,与之形成鲜明的对比。可这座门墙里的一个艺术团体——浙江小百花越剧团,在海内外所拥有的声誉,任何豪华饭店也无法与之相匹敌。走进这堵普通的门墙,走进这座与今日小百花团赫赫声威略显不称的院落,我的采访对象、小百花团的首席导演杨小青已早早地等着我。她微笑地握过我的手,淡雅的笑容里,既透着艺术家的风度,也刻着曾经沧桑的疲惫。我却经意地注视了她的双腿。这双曾在排戏中无奈地连她自己瘦弱而单薄的身躯都支撑不住的腿,如今还留着手术后的五条刀疤。杨小青拉我坐下,泡上一杯龙井 Uneven dirt road, dotted with bumpy ponds, dirt road at the end, is a gray door wall. Opposite the dirt road, the Huanglong Hotel stands out magnificently, in stark contrast. However, an art group in this door wall, Zhejiang Xiaobaihua Yue Opera Troupe, has a reputation both at home and abroad, and no luxury hotel can match it. Into this ordinary door wall, walked into this little flower scene with today’s reputation is slightly less reputation of the courtyard, my interviewee, small flowers delegation’s chief director Yang Xiaoqing has been waiting for me early. She smiled and held my hand, elegant smile, showing both the demeanor of the artist, but also engraved with the vicissitudes of the past tired. I carelessly looked at her legs. This pair of reluctantly in the play scene, even her own thin and thin body can not support the legs, and now also retained five scars after surgery. Yang Xiaoqing pull me to sit down, soak a cup of Longjing