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本文以哈莱姆文艺复兴时期新黑人的崛起为背景,探讨了吉恩.图玛代表作——小说《甘蔗》中所塑造的新黑人形象,以及这些形象对颠覆传统文学中被扭曲、标签化的黑人形象的积极作用。
Based on the rise of the new Negroes in the Harare Renaissance period, this essay explores the new Negro images portrayed by Jean Tuma - the novel “Sugar Cane” and the distorting and labeling of these images in subversion of traditional literature The positive role of black image.