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音乐表演在音乐艺术领域是一个较为重要且不可或缺地环节,每一位表演者在此环节,表演中直观地好坏有着多重因素。在此中间,较为重要的两个原因是心理、生理,其余问题大都可以归因至这二者中去。值得注意的是,假若出现问题的是生理方面,那么就可以制定计划与训练,表演者付出一定地代价后,就可以克服此类问题。但心理问题则不然,它涉及了表演者对音乐本身地理解、舞台天赋、演奏天赋等方方面面,换言之,如果一个表演者是表演心理出现了问题,那么凭靠表演者自身是不太可能克服的,需要有一个专门的导师对其介入,帮助其走出心理误区,从而去探索音乐表演艺术的内在规律。
Musical performance is a more important and indispensable part in the field of music and art. There are many factors that each performer can have in his performance intuitively. In the middle, the two more important reasons are psychological and physical, and most of the rest can be attributed to both. It is noteworthy that, if the problem is the physical aspects, then you can plan and training, performers pay a price, you can overcome these problems. But the psychological problem is not the same, it involves the performer’s understanding of the music itself, the stage talent, playing talent and other aspects, in other words, if a performer is performing psychology problems, relying on the performer itself is unlikely to overcome , We need a special mentor to intervene to help them out of psychological errors, so as to explore the inherent law of music and performing arts.