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一、在暴风骤雨的前夜 1964年6月,荒煤和崔嵬、汪洋同赴新疆,现场审定影片《天山的红花》,争取在国庆十五周年上映。站在一眼望不尽的荒漠戈壁滩上,一片片高耸的胡杨林,阳光照耀下起伏如浪的沙丘,和纵马驰骋着的美丽的维吾尔族女演员……边疆独特的风光,以它气势磅礴的力量震慑着荒煤已深感疲惫的身心,以至于他的眼里浮动了泪花。《天山的红花》原名《野菊花》,是西影送审的剧本。荒煤看过后为其中表现出的浓郁生活气息感到兴奋不已,他从来不反对拍摄现代题材的影片,反对的是把拍摄现代题材和拍摄历史题材对立起来的做法。为
First, on the eve of the storm in June 1964, the waste coal and Cui Wei, Wang Yang went to Xinjiang with the scene to review the film “Tianshan safflower,” striving to be released on the 15th anniversary of the National Day. Standing on an endless stretch of Gobi Desert, a towering Populus euphratica, the sun shining waves of sand dunes, and horseback riding a beautiful Uighur actress ... unique frontier scenery, with its magnificent礴 power deterred the shortage of coal has been so exhausted body and mind, that his eyes floating in tears. “Tianshan’s safflower,” formerly known as “wild chrysanthemum”, is the script for the trial of Western Films. He was excited about the rich flavor of life which he showed after he saw it. He never opposed the filming of modern themes. He opposed the idea of taking pictures of modern themes and historical themes. for