赋是一种极有开放性和包容性的文体,这一特性使其发展由穷极变化而至丧失自我。20世纪新的文化和文学语境,塑造了新的赋体观念,也影响了赋体创作。有人认为赋是陈腐的帮闲文学,应当遗弃;有人则取其长于歌颂和体物抒情的特性,移植于白话诗歌散文的创作中;也有人试图恢复赋体的文言创作传统。但赋体所面临的文体和语体的尴尬,仍然十分突出,有待解决。 Fu is an extremely open and inclusive style, a feature that has caused its development to change from a poor one to a loss of oneself. The new cultural and literary contexts of the 20th century shaped a new concept of “Fu” and also influenced the creation of “Fu”. Some people think that Fu is an obsolete piece of idle literature, which should be abandoned. Some people take the characteristics of their long praise and body lyricism and transpose them into the creation of vernacular poetry essays. Others try to restore the custom of traditional Chinese writings. However, the stylistic and stylistic embarrasses faced by the Chinese are still outstanding and need to be resolved.