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通过对曹禺的著名戏剧《北京人》的分析,本文将合作原则、性别差异及修辞格结合在一起,探讨了三者之间的内在联系。经过分析发现不同性别的人物角色会以不同的方式违反合作原则,以达到其不同的目的,而修辞格的运用则是有效手段之一,更有助于刻画生动的人物形象,这对于小说和戏剧的欣赏及创作具有一定的借鉴意义。
Through the analysis of Cao Yu’s famous drama Peking Man, this article combines the principles of cooperation, gender differences and figures of speech to explore the intrinsic relationship between the three. After analysis, it is found that the characters of different genders will violate the principle of cooperation in different ways to achieve their different purposes. However, the use of figures of speech is one of the effective means, and more conducive to portraying vivid characters, Appreciation of drama and creation has some reference.