在这样一个由媒体炒作支配的时代,对于普通事件的“惊心动魄”的叙述已经逐渐地麻木着我们的神经。当我用这样的标题来传达对刘福春《中国新诗书刊总目》的印象时,似乎也会因为与其他语言炒作的混淆而失去学术表达的应有力量,尽管如此,我还是固执地写下了这样的标题,因为,只有这样的描述才真实地反映出中国新诗研究在 In such an era dominated by media speculation, the “thrilling” narrative of ordinary events has gradually numbed our nerves. When I use such a headline to convey the impression of Liu Fuchun’s book “The Head Book of Chinese New Poetry,” it seems that I could lose the academic expression due to confusion with other language hypes. Nevertheless, I still stubbornly wrote down Such a title, because only this description truly reflects the study of Chinese new poetry in