近日,有幸在济南山东剧院观看了由山东省淄博市歌剧舞剧院创作并演出的舞剧《齐风·甫田》,引发了对关于历史、战争、家园及对当今舞台艺术创作的关注与思考。曾经看过数部在北京上演的舞剧作品,其中不乏有自称是国内舞蹈大师级编导的舞剧作品,然而本人往往和大多数观众一样,面对剧情的展现和传递,总是有些迷惑不解、不知所云?观众在阅读、观赏、理解舞剧“情节”这个环节上往往耗费了过多的心神,甚至始终在“揣摩或猜忌”。如此,凸显了中国 Recently, I was fortunate enough to have watched the “Qi Feng · ÌÌÌt” ballet, which was created and performed by the Opera and Dance Theater in Zibo City, Shandong Province, at the Jinan Shandong Theater, arousing the concern and reflection on history, war, homeland and contemporary stage art. I have seen several ballet works staged in Beijing, many of whom are ballet works that claim to be masters of domestic dance. However, I often find myself confused with most audiences in the face of the presentation and transmission of the story. Unintelligible? Audiences often spend too much time on reading, watching, and understanding ballet “plot ”, and have even been “trying to figure out or suspect ”. So, highlighting China