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本文追溯了尼采悲剧艺术理论的演绎过程,阐述了这一理论与“酒神精神”之间的关系。针对尼采美学存在的明显的非理性特征,深入挖掘“陶醉”这一艺术概念的特征——陶醉之经验即生命存在之体验。借助海德格尔对于尼采的研究,指出尼采美学的“反‘柏拉图主义’”特征,并揭示了海德格尔关于“艺术才是对虚无主义最卓越的反抗”这个命题。
This paper traced the deduction process of Nietzsche’s tragedy art theory and expounded the relationship between this theory and “Dionysiac Spirit.” In view of the obvious irrationality existing in Nietzsche’s aesthetics, this paper digs deeply into the characteristic of artistic conception “intoxicatedness” - the experience of intoxicated experience that is the existence of life. With Heidegger’s research on Nietzsche, he points out the “anti-Platonism” feature of Nietzsche’s aesthetics and reveals Heidegger’s thesis that “art is the most superior resistance to nihilism.”