1966年,张爱玲在美国改写旧作《十八春》并异名为《半生缘》。由于《半生缘》中道具设置密度大、数量多,在张爱玲的小说中具有代表性,本文以《半生缘》中的道具设置为例,分析张爱玲小说的道具设置的艺术作用,并进而探讨张爱玲道具意识的形成原因及其在现代文学史上的意义。 In 1966, Eileen Chang rewritten in the United States, “Eighteen Spring” and different names as “half-life.” Because of the density and quantity of props in Half-Life, representativeness is found in Zhang Ailing’s novels. Taking the props set in Half-Life as an example, this article analyzes the artistic function of props in Zhang Ailing’s novels, The Reasons of Propaganda Consciousness and Its Significance in the History of Modern Literature.