由于抗战时毁于兵火和十年浩劫中毁于动乱,现存的潘天寿书法作品,已难以串连起一条细致的发展脉络,但以二十世纪三十年代中期为界,仍可看到两个不同的阶段。前一阶段书体较多,取法较广,面貌辗转变化,而又有多凭天性书写的成分贯穿其间。后一阶段以融会黄道周一路书风为特征,书体渐趋稳定,法度日见精严,鲜明而强烈的个人面貌得以确立。在成熟期书风中,最富于特色、最引人注目的当属行草。与其篆隶书以圆笔筑基不同,诉诸行草书的多为侧锋方切和侧带 Owing to the turmoil destroyed during the war and the devastation of the decade, the existing calligraphy works by Pan Tianshou can hardly be linked together in a meticulous way. However, by the mid-1930s, two A different stage. The previous stage more books, take a broader approach, the appearance of change, but there are more ingredients written by nature throughout the meantime. The latter stage is characterized by the style of writing a book that links the path of the ecliptic to the zodiac. The book style has become more and more stable, and the law has become increasingly sophisticated. The strong and distinct personal appearance has been established. In the maturity of the book style, the most distinctive, most notable is undoubtedly the line of grass. With its Zhuanzhu round pen to build a different foundation, resorted to the cursive script, mostly lateral front cut and side band