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民国时期,随着中国现代出版业走向繁荣,文学艺术获得了更高效的传播途径,专业的戏曲期刊逐渐成为戏曲批评传播的重要阵地。就戏曲期刊来说,戏曲批评的传播与接受是一个双向的过程,一方面,人们关于戏曲的真知灼见以期刊作为媒介被推广,在读者的接受过程中体现出自身的价值;另一方面,读者的接受和参与,反过来也在一定程度上推动了当时戏曲批评的进程。一戏曲期刊的读者意识戏曲期刊在戏曲批评传播过程中,既体现出自身的主观意图,也
In the period of the Republic of China, as China’s modern publishing industry prospered, literature and art gained a more efficient means of communication. Professional periodicals and journals became the important positions for dissemination of drama and criticism. For drama periodicals, the dissemination and acceptance of drama criticism is a two-way process. On the one hand, people’s true opinions about opera are promoted by the periodicals as media and reflect their own value in the process of readers’ acceptance. On the other hand, readers The acceptance and participation, in turn, to a certain extent, promoted the process of drama criticism. A Reader’s Awareness of Drama Periodicals In the process of dissemination of drama criticism, drama periodicals not only reflect their own subjective intent, but also