本文从比较诗学角度出发,对中西方艺术表现理论具有典型意义的命题“意境”与“有意味的形式”作一比较观照,探求两者的契合与差异,并用“有意味”的手段描述“意境”,以期对以“意境”和“有意味的形式”为代表的中西方艺术表现理论有一再认识。 This paper, from the perspective of comparative poetics, compares and contrasts the proposition “artistic conception” and “meaningful form” with the typical significance of the theory of the representation of the western and Chinese art, exploring the agreement and difference between the two and using “meaningful” means to describe “Artistic Conception”, with a view to the repeated recognition of the theory of Chinese and Western art represented by “artistic conception” and “meaningful form”.