与受校园文化影响的 2 0年代文学和走向乡村的 4 0年代文学相比 ,30年代文学与城市的关系更为密切。在 2 0年代的文化中心北京 ,新文学的主要干将多以大学校园为依凭来从事文学活动 ,校园作为作家与社会的中介 ,使本时期的文学与政治和商业都保持了一定的间距。而文学中心移向上海之后 ,更多的作家开始直接面对市场和社会 ,文学与政治和商业的关系日趋密切 ,租界、商业运作机制以及开放口岸的文化环境对促成这种联系起到了重要作用。与此同时 ,这场迁移既使北平远离了中心的热闹 ,也为当地的校园文人提供了一个相对自由宽裕的生存和文化空间 ,这是他们构筑静穆悠远的审美世界的前提 Compared with the literature of the 20s affected by the campus culture and the literature of the 40s moving towards the countryside, the literature of the 1930s had a closer relationship with the cities. In the cultural center of 20 years in Beijing, the mainstay of the new literature is to rely mainly on university campuses for literary activities. The campus serves as an intermediary for writers and the society, keeping the literature and politics and commerce in this period at a certain distance. After the literary center moved to Shanghai, more writers began to face the market and society directly. The relationship between literature and politics and commerce became increasingly close. The concession, commercial operation mechanism and the cultural environment of the open ports played an important role in facilitating this connection . In the meantime, this relocation not only kept Peking far from the excitement of the center, but also provided a relatively free and abundant living and cultural space for the local campus writers, which was the prerequisite for them to construct a distant aesthetic world