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在清代初期,隶书盛行,可谓书家辈出,各领风骚,使清隶不仅为碑学在清代的发展开了头,而且清隶始终伴随着有清三百年书法的发展变化而发展变化着。不言而喻,清代是书法史上的一个重要转折期,使碑学书法的兴起打破了帖学书法的长期垄断,使古老的隶书获得新生。然而,最具代表性的要数集汉碑大成的朱彝尊,他的突出表现极大地影响了后来的许多隶书书家,有陈鸿寿、杨岘、万经、俞樾、陈允升、梁同书等,举不胜举。因此,朱彝尊在隶书创作领域所取得的巨大成就对现代书法发展的影响也是极其深远的。这一点,我们可从当代许多名家的作品中仍能看到朱彝尊的踪迹来证明。
In the early days of the Qing Dynasty, the official scripture was prevalent in many schools, which led to the development of Beilei not only for the development of Beilei in the Qing Dynasty but also for the development of the calligraphy in Qing Dynasty. Change. It goes without saying that the Qing Dynasty is an important turning point in the history of calligraphy, the rise of calligraphy broke the long-term monopoly of calligraphy calligraphy, so that the old official script reborn. However, Zhu Yizun, the most famous representative of the Great Wall of China, is the most representative one. His outstanding performance greatly influenced many later scriptural writers, including Chen Hongshou, Yang Xian, Wanjing, Yu Xun, Chen Yunsheng and Liang Tongshu Give. Therefore, Zhu Yizun’s great accomplishments in the creation of official script are also far-reaching impact on the development of modern calligraphy. At this point, we can still see evidence of Zhu Yizun from the works of many contemporary masters.