《1Q84》是村上春树致敬奥威尔《1984》所写的作品。由“老大哥”推衍至“小小人”隐喻着社会权力的极端持有者,人的自然发展欲望总是受到各种“体制性”的规训,人的主体性逐步丧失。无独有偶,电影作品《看上去很美》则是以“小人物”方枪枪的视角切入,通过叙述其与学校教育秩序的归顺与反抗,表现社会权力、规则对个体的操控与压制。两部作品分别从宏观到微观,探讨社会极权背景下现代人面临主体困境如何探寻突围之路,本文将从两部不同文艺形式的作品出发,探寻在不同民族与国家的社会“秩序”下现代人的生存状态,以及在体制禁锢、个体反叛等方面表现出来的相似与相异。 “1Q84” is a tribute to Haruki Murakami’s tribute to Orwell’s 1984 book. From “eldest brother” to “little man” metaphor of the extreme holders of social power, people’s natural development desire is always subject to a variety of “institutional” discipline, the main body Gradual loss of sex. Coincidentally, the film works “Looks Beautiful” is based on the “little man ” side guns and guns into the perspective, by describing its order and resistance with the school education order, the performance of social power, the rules of individual manipulation and suppression. From the macroscopic to the microcosmic, the two works discuss how the modern people are facing the dilemma of the main body in the background of social totalitarianism. This article will proceed from the works of two different literary and artistic forms to explore the social order in different nations and countries. Under the modern state of existence, as well as in the system of imprisonment, individual rebellion and other aspects of the similar and dissimilarities.