在写实绘画中,我们面对所要再现的客观物象和将要描绘的画面,如何去观察分析,又是如何去表现呢?尽管不同的画家的观察方法和表现手段各有差异,但是,作为写实绘画的造型原理,仍然存在着共性规律。写生台上摆放着各种衬布、椅子和模特儿等各种绘画用道具。这些客观物体都是实实在在的,甚至本来是互不相干的,然而我们却将它们摆放在了一起,进而还要把它们的形象艺术地描绘到画面上。这样一来,在这些客观物象之间,及每一个 In realistic painting, we face the objective image to be reproduced and the picture to be portrayed. How do we observe and analyze it and how it is manifested? Although different artists have different methods of observation and expression, as a realistic painting Modeling principle, there is still a common law. Sketches on the stage layout of a variety of interlining, chairs and models and other painting props. These objective objects are real or even unrelated to each other, yet we place them all together, and then portray their images artistically on the picture. In this way, between these objective objects and each one