或者是惺惺相惜,《城门开》的书名这三个字就是诗人欧阳江河为诗人北岛题写的;抑或是臭味相投、心意相通,诗人欧阳江河丰满、遒劲但同样枯涩、苍凉的书法与北岛凝练、妙语连珠但同样不乏凌乱,呓语、横七竖八的文字交相辉映。《城门开》是作为北京娃、诗人、流浪者与思想家的北岛用文字为他想象中的那些失忆、失语的芸芸众生重建的他记忆中的“感官”北京,也是对现代钢筋水泥玻璃堆砌的北京的婉讽和嘲弄。为此,他调动了属于他身体当然也属于他灵魂的所有感官的所有记忆和感知,从充满童趣也不 Or is sympathetic, “Shing Mun opened” in the title of the three words is the poet Ouyang Jianghe wrote for the poet Beidao; or the same stink, the same mind, the poet Ouyang rivers fullness, strong but equally dry, desolate calligraphy and the North Island Concise, punchline but also no shortage of messy, slur, cross-talk texts each other. “The Gate of the City” is a “sensory” in his memory that Beijing North Island, as Beijing’s capitalist, poet, wanderer and thinker, rebuilt for his imaginary amnesia and aphasia. He also used modern reinforced concrete Glass mocking Beijing’s ridicule and mockery. To this end, he mobilized all memories and perceptions of all the senses belonging to his own body and, of course, to his soul,