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布尔加科夫是俄罗斯文学白银时代的重要作家,被称为魔幻现实主义的鼻祖,其重要作品《大师与玛格丽特》及其中短篇《狗心》《孽卵》等尽显其诡谲荒诞的艺术手法。莫言也因“魔幻现实主义”荣获诺贝尔文学奖,其作品《蛙》《生死疲劳》《十三步》等也尽显魔幻与现实相融合的特色。本文试图从平行研究的角度、从二者的魔幻叙事渊源探析、表现内容与形式及其艺术效果三方面,对布尔加科夫与莫言的魔幻叙事进行比较分析,希望给喜爱布尔加科夫和莫言小说的广大读者一个更深的认识与了解。
Bulgakov is an important writer of the Russian silver era, known as the originator of magical realism, his important works “Master and Margaret” and the short story “dog heart” “Egg” and so on show its treacherous absurdity Artistic approach. Mo Yan also won the Nobel Prize in Literature for his magical realism. His works Frog, Life and Death, Thirteen Steps and so on are also characterized by the combination of magic and reality. This article attempts to compare and analyze the magical narrative of Bulgakov and Mo Yan from the perspective of parallel research, from the analysis of the origin of the two magic narratives, the content and form and the artistic effect, Mo Yan novels readers a deeper understanding and understanding.