白居易的舞蹈诗创作可分为四个时期。初入仕途时期,诗人依循儒家传统乐舞观念,创作了一批以讽喻为目的的舞蹈诗;贬谪江州之后,诗人有感于仕途的险恶,便转而关注乐舞的娱情功能;任苏杭长官时期诗人的舞蹈诗创作重点在对舞蹈的欣赏品鉴上;而在洛阳时期创作的舞蹈诗中,诗人将人生之叹融入对舞蹈的美学感悟,使其舞蹈诗具有了更高的艺术性和审美价值。 Bai Juyi’s dance poetry creation can be divided into four periods. During his first career, poets followed the traditional concept of music and dance of Confucianism and created a series of dance poems with the purpose of allegorism. After Jiangzhou was relegated, the poet had the sinister feeling of career and turned to the amusement function of music and dance. In the dance poem created in Luoyang period, the poet incorporates the sigh of life into the aesthetics of dance, making the dance poem more artistic and Aesthetic Value.