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将图片有意识地引入文学创作,探索图文互动,是香港实验作家西西文本实验的重要方面。从《剪贴册》(1991)、《画/话本》(1995)到《拼图游戏》(2001),三本图文并茂的散文集集中反映了西西在实验图文联合这种新的散文形式方面的探索。本文着重分析三部作品前后的变化,总结西西在联合图文创作中的特点,阐明西西在传统图文关系基础上所做的创新。
The conscious introduction of pictures into literary creation and the exploration of graphic interaction are important aspects of the Western and Western textual experiments by Hong Kong laboratory writers. From “Scrapbook” (1991), Paintings / Textbook (1995) to “Jigsaw Puzzle” (2001), three well-illustrated collections of essays reflect the role of Western and Chinese in this new form of essay explore. This article focuses on the changes before and after the three works, summarizes the characteristics of the Western and Chinese writing in the joint creation, and expounds the innovation made by the Western and Chinese on the basis of the traditional graphic and textual relationship.