“五經”作爲中國儒家的傳統經典,與“四書”同爲封建時代讀書人的人生教科書。《尚書》與《周易》皆名列於“五經”中,兩者或被簡稱爲《書》、《易》。凝結蒲松齡大半生心血的《聊齋志异》寫作受到“四書”、“五經”的影響不言而喻,但比較而言,《聊齋志异》與《書》或《易》之關聯遠較它與《詩經》、《禮記》乃至《春秋》(主要體現於《左傳》)之關聯爲簡單。儘管如此,探討這部文言短篇小說集與《書》、《易》的關係問題,對於研究《聊齋志异》的創作方法仍然不可或缺,對於清人以及今人注釋中的有關誤讀或錯解也有一定的廓清作用。 “The Classics ” as the traditional Chinese Confucian classics, and “Four Books ” with the feudal era scholar’s life textbook. “Shang Shu” and “Book of Changes” are both listed in the “Five Classics”, both of which are referred to as “books” and “Yi” for short. Condensation Pu Songling most of her life-long “Strange Stories” is subject to “Four Books ”, “Five Classics ” influence is self-evident, but comparatively speaking, “Strange Stories” and “book” or “ ”Is much more related to its association with the Book of Songs, the Book of Rites, and even the Spring and Autumn Period (mainly embodied in Zuo Zhuan). In spite of this, to explore the relationship between this collection of Chinese short stories and the book and Yi is still indispensable for the study of the creative method of Strange Stories from a Chinese Studio, The wrong solution also has some effect of clarification.