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新时期天津文学创作不仅与梁斌、孙犁等一批老作家的“复出”有着密切的联系,他们以原有的创作风格或以新的创作面貌进入到新时期的天津文坛,而且与蒋子龙、冯骥才等人在新时期中国文坛的崛起有着更为深入的关联,他们在引领或参与新时期文学潮流的同时成为天津文学的代表。进入20世纪90年代,尽管赵玫、肖克凡等人不断推出重要作品,但天津文学创作在中国文学史中的集体消失使其进入了低潮期。这一状况直到世纪之交才得以改观,老作家的回归、中年作家的勃发与年轻作家的突起,使得天津文学呈现出复兴的态势。
In the new era, the literary creation in Tianjin is closely related not only to the “comeback” of a number of old writers such as Liang Bin and Sun Li, but also to the Tianjin literary world in the new era with their original creative styles or with new creative features. Jiang Zilong and Feng Jicai et al. Had a more in-depth connection with the rise of the Chinese literary world in the new era. They were the representatives of Tianjin literature while leading or participating in the literary trend of the new era. In the 1990s, although Zhao Mei and Xiao Ke-fan continued to launch important works, the collective disappearance of Tianjin literary creations in the history of Chinese literature brought them into a low tide. This situation can not be changed until the turn of the century, the return of old writers, the rise of middle-aged writers and the rise of young writers make the Tianjin literature showing a revival.