散文常常采取生活的“一端”,生发开去,古今中外,天南地北,无所不谈。因而,散文特别重视联想。可以毫不夸张地说,砍断了联想的翅膀,就没有优秀的散文。联想主要是抓住具体形象和抽象思想之间相类似的特点,经过对具体形象的充分描绘后,水到渠成地点示象征意义。联想可以加重感情的抒发,拓宽人们的视野,从而深入揭示事物的本质。为了更好地运用联想,使它发挥出更大的艺术魅力,散文作者常常借助于象征、示现、比拟、通感、比喻、映衬等意境上和材料上的修辞格。这些修辞格往往不单纯是局部的语言词汇问题,而跟散文的构思具有较为密切的关系。本文打算专门谈谈这些修辞手段在散文中的具体运用。象征。一般修辞书上不收这一格。可能修辞学家 Prose often takes the “end of life”, grows up and goes, ancient and modern, Chinese, and foreigners. Therefore, prose pays special attention to association. It is no exaggeration to say that if we cut off Lenovo’s wings, there will be no excellent prose. Lenovo mainly captures the similar characteristics between the concrete image and the abstract idea. After a full depiction of a specific image, it shows the symbolic significance of the place. Lenovo can increase the expression of emotions and broaden people’s horizons, thereby revealing the essence of things. In order to make better use of associations and make it play a greater artistic charm, prose writers often resort to symbolism, display, comparison, synaesthesia, metaphor, silhouette, and other rhetorical devices on mood and material. These rhetorical figures are often not simply local linguistic vocabulary problems, but have a close relationship with the concept of prose. This article intends to talk specifically about the specific use of these rhetoric devices in prose. Symbol. This form is not included in the general rhetoric. Possible rhetorician