草即『草草』不工整之意,草书笔画除少数的独立点线外,更多的是连属,以笔势而论,就是点线也必须触入连属的『势』中。四千多年前的丁公遗址陶片上的『文字』,除了直线笔画和弧线笔画外,更多的是连属的笔画,故我们可以视之为草书早期的作品。如果把它算成『符号』的话,春秋晚期的公孙(?)壶,战国晚期(我阝)陵君豆上的大篆文字已是草篆无疑。居延汉简的一些作品,是草隶的成熟作品,可以说王羲之是完成今草的典型代表,张旭、怀素是完成狂草的典型代表。草书的最大特征是用笔圆转,笔画连属和简省。 In other words, cursive brush strokes, except for a few independent point lines, are even more connected ones. In terms of gestures, the point line must also touch into the “potential” of the affiliation. More than four thousand years ago, the “writing” on the pottery of the Ding Kung site was connected with the strokes except the straight-line strokes and the arc-shaped strokes. Therefore, we can regard it as the early works of cursive scriptures. If we count it as a “symbol”, the late Spring and Autumn Period Gongsun (?) Pot, the late Warring States Period (I 阝) Lingzhi seal script is clear. Ju Yan Jian some works, is the mature works of grass, it can be said that Wang Xizhi is the typical representative of the completion of this grass, Zhang Xu, Huai Su is the typical representative of the completion of mad grass. Cursive biggest feature is the use of pen rotation, pen even attached and simple province.