王昌龄是一位有自觉理论追求的诗人。他的诗论《诗格》,是对其诗歌创作的理论反思与总结;他的诗歌、尤其是其七绝,是在诗论指导下的有明确审美追求的艺术佳作。王昌龄在诗歌情景理论发展史上首次提出了景、景语、意语、意句等崭新的概念,明确地提出了作品内情景相兼(融)的看法,以一种新的分析方法分析诗歌作品内部情景构成的比例,从而指导后学者的诗歌创作。王昌龄的诗歌,是在诗论思想指导下的有意识创作;王昌龄的诗论思想,是对其诗歌创作的理论总结。诗歌与诗论相互印证,从而共同构成了王昌龄文学成就的双璧。 Wang Changling is a poet who consciously pursues theory. His poem “Poetry” is the theoretical reflection and conclusion of his poetry creation. His poetry, especially his QI Jue, is a masterpiece of art with clear aesthetic pursuit under the guidance of poetic theory. For the first time, Wang Changling put forward new concepts such as scenery, scenery, meaning and meaning in the history of the development of the theory of poetry scene. It clearly put forward the view of harmony and harmony in the work and analyzed poetry with a new analysis method The proportion of the internal situation, thus guiding the post-scholar’s poetry creation. Wang Changling’s poetry is a conscious creation under the guidance of poetic theory. Wang Changling’s poetic theory is a theoretical summary of his poetry. Poetry and poetry mutual proof, which together constitute Wang Changling literary achievements of the two bi.