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《十三夜》是樋口一叶“奇迹期”家庭小说的典范。除雅俗折中的文体、融汇古今的艺术性和超越时代与性别的思想性之外,其叙事策略也堪称卓越。本文通过对小说中亥之助、原田勇、録之助之妻这三个重要的未登场功能性人物的剖析解读,探究作者选择是否赋予登场人物话语权的依据和用意,进而从叙事学角度重新诠释明治时期女性的悲哀和作者的女性主体意识。
“Thirteen Nights” is a model of the “Miracle Period” family novel. In addition to the elegant and popular style, integrating ancient and modern art and beyond the ideological age and gender, its narrative strategy is also called excellence. By analyzing and interpreting the three important non-debut functional characters, such as Zhong Hai Zhi Wu, Yuan Tian Yong, and Lu Zhi Zhu Zhi Qi, this essay explores the basis and intent of the author’s choice of giving the right of speech to the debut person, and then reinterprets it from the perspective of narratology Women ’s Sorrow in the Meiji Period and the Female Consciousness of the Author.