论文部分内容阅读
In Zhuo Minliu’s home， there’s now one bond that has skillfully narrowed the generation gap between her in-laws， husband and 10-year-old son， becoming a topic of animated conversation for the entire family.
It’s a TV soap， and a political drama at that.
“It’s one of the few TV soaps which keep all of us riveted to the screen，” the 32-year-old math teacher in south China’s Hainan Province told Beijing Review.
The plot centers on anti-graft investigators apprehending corrupt officials amid complicated bureaucratic infighting in Handong， a fi ctitious province in east China.
Since its premiere on the Hunan satellite channel on March 28， In the Name of the People has hooked millions of followers of all ages. It has wrested the highest TV rating in a decade in China， according to Beijing-based CSM Media Research， a leading domestic radio and TV audience research agency， in late April.
Data from China’s five major videostreaming websites by April 25 showed In the Name of the People had 13.32 billion views in a month. Over half of them are from people below 30.
The eponymous book that was made into the series， authored by seasoned political fi ction writer Zhou Meisen， has been selling like hot cakes. Published at the beginning of 2017， it has sold 400，000 copies and been reprinted six times.
Key to success
The realistic and daring plot， characters who are credible and multi-faceted， and an excellent cast have made the TV drama a smash hit.
Daringness is a key element. The main villain is an official at the sub-national level， the second highest level in China’s civil service hierarchy. No previous TV dramas featured corrupt officials of this rank. The show sheds light on political factions with varied connections， highranking moles in public security departments， collusion between corrupt off icials and business people， as well as bribery fl ourishing among students， stunning the audience.
“We aim to explicitly show the world China’s f ight against corruption in recent years，” Zhou， who has also written the script for the series， told Beijing Review.
The ongoing campaign has led to the downfall of numerous unscrupulous off icials. It is often described as a battle that calls for the resolution and courage shown by a protagonist of an ancient Chinese fable who， when bitten by a snake， chopped off his wrist to stop the venom from spreading and save himself. Zhou worked as deputy secretary general in the Xuzhou Municipal Government in east China’s Jiangsu Province in the 1990s and the stint helped him to get to know many government officials. It also gave him an insight into political circles. “Most of my stories stem from real life，” the author said. “I hope to depict China’s political landscape， comprising various characters， in its entirety.”
To know how officials fall due to different factors， Zhou interviewed previous off icials jailed in a prison in Jiangsu in 2015. He also talked to procurators who worked there to learn how matters had reached such a pass.
Consequently， none of the characters in the drama are presented in black and white. Even the honest off icials are sometimes bureaucratic and the biggest adversary has a human side. “All characters in the show are alive. That’s why I am mesmerized，” math teacher Zhuo said.
Rather than hiring expensive young stars， the producer chose more than 40 veteran actors and actresses who were willing to put in a great deal of effort to get into the skin of their characters. Lu Yi， the hero， visited procuratorates and interacted with anti-graft investigators. Wu Gang， who plays a blunt municipal Party chief named Li Dakang， watched news footage online to learn how government officials behave to portray his character with authenticity.
Reel impact
The show has left impacts on real life， including the workings of some local governments.
In the drama， there is a scene showing Li chastising a subordinate over an inconvenient reception window which forces visitors to kneel down to talk to civil servants. Soon after the episode was aired， an online post appeared on social media， showing a similar reception window in central China’s Henan Province. The post calling for “Li Dakang’s intervention” went viral and put the local government under the spotlight. The government promptly responded， bringing in chairs so that visitors could sit.
Surprisingly， many young viewers in their 20s are fascinated by the drama， especially the hardworking Li， and relate to it in their new-generation way. They have named the male cast the Handong Boys， like a boy band， and have been creating emoticons based on Li’s memes.“It’s not an easy task to instill mainstream values into the minds of the young generation，” Zhou said. However， the feat has been achieved.
The drama has its critics too. Some say In the Name of the People， where most of the baddies are policemen， is giving cops a bad name. “As a policeman， I don’t like In the Name of the People. It shows little respect to our profession，” Tan Wang， a 36-year-old police offi cer， told Beijing Review.
But the author doesn’t buckle under the criticism. “I reveal China’s social reality，” he said.“So criticism is expected. But I don’t care because when fiction comes alive， the author is dead. There is no need for me to explain.”
It’s a TV soap， and a political drama at that.
“It’s one of the few TV soaps which keep all of us riveted to the screen，” the 32-year-old math teacher in south China’s Hainan Province told Beijing Review.
The plot centers on anti-graft investigators apprehending corrupt officials amid complicated bureaucratic infighting in Handong， a fi ctitious province in east China.
Since its premiere on the Hunan satellite channel on March 28， In the Name of the People has hooked millions of followers of all ages. It has wrested the highest TV rating in a decade in China， according to Beijing-based CSM Media Research， a leading domestic radio and TV audience research agency， in late April.
Data from China’s five major videostreaming websites by April 25 showed In the Name of the People had 13.32 billion views in a month. Over half of them are from people below 30.
The eponymous book that was made into the series， authored by seasoned political fi ction writer Zhou Meisen， has been selling like hot cakes. Published at the beginning of 2017， it has sold 400，000 copies and been reprinted six times.
Key to success
The realistic and daring plot， characters who are credible and multi-faceted， and an excellent cast have made the TV drama a smash hit.
Daringness is a key element. The main villain is an official at the sub-national level， the second highest level in China’s civil service hierarchy. No previous TV dramas featured corrupt officials of this rank. The show sheds light on political factions with varied connections， highranking moles in public security departments， collusion between corrupt off icials and business people， as well as bribery fl ourishing among students， stunning the audience.
“We aim to explicitly show the world China’s f ight against corruption in recent years，” Zhou， who has also written the script for the series， told Beijing Review.
The ongoing campaign has led to the downfall of numerous unscrupulous off icials. It is often described as a battle that calls for the resolution and courage shown by a protagonist of an ancient Chinese fable who， when bitten by a snake， chopped off his wrist to stop the venom from spreading and save himself. Zhou worked as deputy secretary general in the Xuzhou Municipal Government in east China’s Jiangsu Province in the 1990s and the stint helped him to get to know many government officials. It also gave him an insight into political circles. “Most of my stories stem from real life，” the author said. “I hope to depict China’s political landscape， comprising various characters， in its entirety.”
To know how officials fall due to different factors， Zhou interviewed previous off icials jailed in a prison in Jiangsu in 2015. He also talked to procurators who worked there to learn how matters had reached such a pass.
Consequently， none of the characters in the drama are presented in black and white. Even the honest off icials are sometimes bureaucratic and the biggest adversary has a human side. “All characters in the show are alive. That’s why I am mesmerized，” math teacher Zhuo said.
Rather than hiring expensive young stars， the producer chose more than 40 veteran actors and actresses who were willing to put in a great deal of effort to get into the skin of their characters. Lu Yi， the hero， visited procuratorates and interacted with anti-graft investigators. Wu Gang， who plays a blunt municipal Party chief named Li Dakang， watched news footage online to learn how government officials behave to portray his character with authenticity.
Reel impact
The show has left impacts on real life， including the workings of some local governments.
In the drama， there is a scene showing Li chastising a subordinate over an inconvenient reception window which forces visitors to kneel down to talk to civil servants. Soon after the episode was aired， an online post appeared on social media， showing a similar reception window in central China’s Henan Province. The post calling for “Li Dakang’s intervention” went viral and put the local government under the spotlight. The government promptly responded， bringing in chairs so that visitors could sit.
Surprisingly， many young viewers in their 20s are fascinated by the drama， especially the hardworking Li， and relate to it in their new-generation way. They have named the male cast the Handong Boys， like a boy band， and have been creating emoticons based on Li’s memes.“It’s not an easy task to instill mainstream values into the minds of the young generation，” Zhou said. However， the feat has been achieved.
The drama has its critics too. Some say In the Name of the People， where most of the baddies are policemen， is giving cops a bad name. “As a policeman， I don’t like In the Name of the People. It shows little respect to our profession，” Tan Wang， a 36-year-old police offi cer， told Beijing Review.
But the author doesn’t buckle under the criticism. “I reveal China’s social reality，” he said.“So criticism is expected. But I don’t care because when fiction comes alive， the author is dead. There is no need for me to explain.”