抗战爆发至共和国成立前的文学生产与编辑出版行为之间的关系是互动的。毋不庸置疑 ,“抗战和民主”旗帜下的文学生产和编辑出版行为 ,都属看不见硝烟的另一战场 :文化战线。由于二者的互动极其自然地以民众或读者为主导 ,因而在这一时期的中国新文化“现代性” ,真正有了现实的可能性和实现的前提。另外 ,战时文学生产与编辑出版行为受制于复杂多变的政治环境 ,表现形态也极其错综复杂 The relationship between literary production and editing and publishing before the outbreak of the Anti-Japanese War until the founding of the Republic was interactive. There is no doubt that the production of literature and editing and publishing under the banner of “Anti-Japanese War and Democracy” are another battlefield in which no smoke can be seen: the cultural front. Since the interaction between the two is extremely natural to the general public or the readers, the “modernity” of Chinese new culture during this period truly realizes the possibility of reality and the premise of its realization. In addition, wartime literary production and editing and publishing subject to the complex and volatile political environment, the performance is extremely complex