论文部分内容阅读
看过电影《小花》的人一定记得陈冲、刘晓庆、唐国强,还有那首主题歌《妹妹找哥泪花流》“妹妹找哥泪花流,不见哥哥心忧愁……”一对普通兄妹之间的情谊,通过妹妹找哥哥,哥哥找妹妹,表现战争中的骨肉之情、同志之情。但《小花》作为中国新时期电影的新篇章,从内容到形式都发生了最大胆的突破,使当时看惯了“样板戏”的观众耳目一新。
Who read the movie “flowers” must remember Chen Chong, Liu Xiaoqing, Tang Guoqiang, as well as the first theme song “sister to find brother tears flow” “sister to find brother tears, no brother worry ... ...” a pair of ordinary brother and sister Between the friendship, through my sister to find brother, brother to find my sister, showing the flesh and blood of the war, gay feelings. However, as a new chapter in the movie of the new era in China, “Little Flower” took the boldest breakthrough from content to form, bringing the audience who used to seeing “model operas” to be refreshing.