作为20世纪中国的“经典”作家,张爱玲其人其文在新时期以来得到了学术界全面而深刻的研究,现有的学术成果已经远远超过了张爱玲一生创作数量的总和,有关张爱玲的学术观点也层出不穷,呈现出明显的“过度解读”现象。然而,张爱玲研究仍然存在进一步开拓的方面。如果从张爱玲与外国文化和文学关系的角度来看,日本“物哀论”的文艺思想与张爱玲小说的“幽玄”格调之间显然存在着内在关联。但是,新时期 As a writer of “Classic” in 20th century China, Zhang Ailing’s literary works have got comprehensive and profound academic research in the new era. The existing academic achievements have far surpassed the sum total of Zhang Ailing’s life creation. The academic view also emerges one after another, showing obvious “over-interpretation” phenomenon. However, Zhang Ailing studies still exist further development aspects. From the perspective of Zhang Ailing’s relations with foreign cultures and literature, it is clear that there is an inherent relationship between the literary thoughts in Japan’s “Sorrows and sorrows” and the “secluded” style of Zhang Ailing’s novels. However, the new era