有时看到,有些戏缺乏深刻的激动人心的戏剧冲突。例如,有的描写对敌斗争的戏,却把敌人写得比较简单,有点脸谱化,似乎不堪一击,看不见它们那些阴暗的聪明,狡猾、厉害的反动性格。有的描写人民内部矛盾的戏,则常常迴避重大矛盾,或者写了矛盾,但解决得相当轻易。有的具有比较严重的资产阶级思想和右倾思想的人物,经过领导或同志们一二次谈话,或者某一件事实的教育,马上就跃身加入先进者的行列……总之,没有很好地展示各种矛盾和矛盾的各个方面,当然就不可能创造出性格鲜明的典型人物了。为什么会产生以上的情况呢?究其原因,固然很多,例如作者认识生活的深度,表现生活的能力等问 Sometimes it is seen that there is a lack of deep and dramatic drama in some plays. For example, some depictions of the struggle against the enemy have made it simpler and somewhat Facebook-oriented to appear vulnerable. They can not see their dark, clever, cunning and powerful reactionary characters. Some plays depicting the internal contradictions among the people often avoid major contradictions or write contradictions, but the solution is rather easy. Some people with more serious bourgeois ideology and right-wing thinking have immediately joined the ranks of advanced people through one or two conversations by leaders or comrades, or some factual education ... In short, Of course, it is impossible to create distinctive and distinctive characters by displaying all aspects of various contradictions and conflicts. Why does it produce the above situation? The reason is, of course, many, for example, the author knows the depth of life, the performance of life, etc. asked