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本文通过分析《蝴蝶君》中东西方人物的设置,探讨该剧是如何倒置东方主义长期以来构建的东西方关系,又是怎样颠覆了在长久以来西方人心中固有的东方女子印象,对西方文化霸权提出了挑战。并提出了影片创作者对“东方主义”解构的不完全性和不彻底性的问题,试图分析其原因所在,总结其得失之处,对塑造真实的东方形象的可能性提出看法。
By analyzing the setting of middle and western people in Butterfly Kingdom, this article explores how the drama reversed the East-West relationship that Orientalism has long built and how it subverts the eastern woman’s inherent impressions in the minds of Westerners for a long time. Hegemony posed a challenge. And put forward the film creator’s problem of incompleteness and incompleteness of deconstruction of “Orientalism ”, trying to analyze the reasons for it, summing up the pros and cons of the film creator, and putting forward the opinions on the possibility of shaping the true oriental image.