本文以图像、文献和档案为基础,试图藉诸种材料的分析,阐述董邦达奉乾隆皇帝之命绘制《四美具合幅图》的缘由,以及作者对绘画主题、题材、风格、构图的选取,通过分析作品从母本到成品的制作过程,力求揭示出皇帝、词臣和画家在创作中的意愿和互动。作者试图借助个案分析,揭示词臣画家在乾隆宫廷内艺术风格的形及其发展过程中的种种复杂性。此外,作者对绘画史研究 Based on the images, documents and archives, this article attempts to analyze the reasons why Dong Bangda painted the “Four Beauty with Figure” by the Emperor Qianlong of Emperor Qianlong, and the author’s selection of the theme, theme, style and composition of paintings, Through the analysis of the production process from the mother to the finished product, trying to reveal the wishes and interactions of the emperor, Ci-chen and the painter in the creation. The author attempts to use the case analysis to reveal the complexity of the artistic style of the Ci-chen painters in the court of Qianlong and its development. In addition, the author studies the history of painting