论文部分内容阅读
湘西苗鼓是一种文化传播符号,在世代传承和发展中沉淀为一种表达区域民族愿望的独特的非物质文化。本文用传播学的理论和方法分析和解释历史动态中湘西苗鼓文化传播现象,从文化传播的角度反思湘西苗鼓传播内容,以期把苗族日常生活与乡土文化仪式和苗鼓的历史与未来作为一个系统的、完整的研究对象,而不局限于单独研究其中的某一个环节。同时通过交叉研究,使人们对湘西苗鼓的文化价值和现实意义在一个新视野里有所关注和开掘,也将对当代非物质文化解决普遍焦虑的人文关怀问题有所启示。
Miaozhu, a western Hunan province, is a symbol of cultural transmission that has been precipitated in the inheritance and development of generations as a unique non-material culture that expresses the national aspirations of the region. This paper uses the theory and method of communication to analyze and explain the historical phenomenon of the Miao and Drum culture transmission in the history of the world and to reflect on the dissemination of the Miao and Drum music in the west of Hunan from the angle of cultural transmission in order to take the Miao’s daily life and local culture ritual and the history and future of the Miao drum as A systematic, complete research object, not limited to a separate study of one of them. At the same time, through cross-cutting research, people are encouraged to pay attention to and excavate the cultural value and realistic significance of Xiangxi Miao and Drum in a new field of vision, and also enlighten the contemporary non-material culture to solve the humanistic concern of widespread anxiety.