通过研读阿多诺(Theodor W.Adorno)的《美学理论》文本,我们看到他对德国古典美学集大成者黑格尔关于“美”的著名定义进行了一种否定性的批判阐发,同时从美与丑的辩证法出发来重新考察传统美学的命题,这使我们意识到在美的艺术哲学史上自然美遭到过歪曲,顺此他提醒人们如何去正视自然、重新认识和发现自然美,最后,阿多诺也以某种方式回应了康德对艺术美的评说,即艺术美当是显得自然的。 By studying the text of Theodor W. Adorno’s Aesthetic Theory, we see that he conducted a negative criticism of the well-known definition of “beauty ” by Hegel, the master of classical aesthetics in Germany. At the same time, starting from the dialectics of beauty and ugly dialectics to reconsider the proposition of traditional aesthetics, which makes us realize that in the history of aesthetic philosophy of the United States has been distorted, thus reminds people how to face up to nature, re-understanding and discovery of natural beauty, and finally, Adorno also somehow responded to Kant’s commentary on the beauty of art, that art is pretty when it seems natural.